Among her notable work was playing Myrtle Wilson in "The Great Gatsby" (1949) with Alan Ladd, and a hostage who develops romantic feelings for thug John Garfield in "He Ran All the Way" (1951). Periodically, she grabbed better assignments as a freelancer.
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Then under a long contract at Universal studios, she was rushed into a series of forgettable musicals and gangster melodramas. Colman won the Oscar that year, and the film's overall acclaim brought much attention to Ms. She played the mistress and unwitting Desdemona to a psychotic Shakespearean actor (Ronald Colman). The film was 1947's "A Double Life," and it would provide Ms.
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Instead, Kanin told her to look up film director George Cukor, who was casting for the doomed waitress in a movie script Kanin had co-written. She asked to be understudy to star Judy Holliday. When Columbia let her contract run out, she called Garson Kanin, a casual acquaintance then directing his play "Born Yesterday" on Broadway. She won small parts on Broadway that led to a film contract with Columbia studios. During a nationwide scouting hunt to find the ideal Scarlett O'Hara for the film "Gone With the Wind," she told the casting agent with a Brooklyn accent, "Lawdy, folks, I'm the only goil to play Scarlett." She wrote of having more gumption than talent early on. She also was a nightclub dancer and appeared in summer stock. This ability to fantasize has been a powerful tool in my acting."Īfter winning local beauty contests, Ms.
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"I developed a whole fantasy world during my childhood," she wrote. One of the most stinging memories of her youth was seeing her father jailed for setting his men's store on fire to collect insurance money. Louis and moved to Brooklyn, N.Y., when she was 9. For God's sake, you studied voice projection. Winters wrote that she found this silly, adding: "When I refused to yell loud enough for him, he whispered, 'You're not helping my image enough. She said Brando invited her to the set of "A Streetcar Named Desire," locked her in his trailer and began to simulate violent lovemaking by shaking the room, pounding the walls and screaming with delight. She also wrote two kiss-and-tell memoirs, in which she counted among her amorous conquests Errol Flynn, William Holden (they had an annual Christmas Eve rendezvous), Sean Connery, Burt Lancaster and Marlon Brando. Winters appeared on talk-show programs to detail her indulgences with the leading men of Hollywood's golden age. She is dumb and cunning, silly, sad, sexy and bizarre, and totally American and human."
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She once called the role of Charlotte Haze, the mother of a teenage vamp in "Lolita" (1962), "one of the best performances I ever gave in any medium. Winters had carved out a successful career in character parts - the brash and frowzy secondary roles that she said would sustain her career as she aged.
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She once joked of her tendency to perish as a sinner or martyr, writing in a memoir: "I had been strangled by Ronald Colman, drowned by Montgomery Clift, stabbed and drowned by Robert Mitchum, shot by Jack Palance and by Rod Steiger in two different films and, oh yes, overdosed with heroin by Ricardo Montalban."īy the late 1950s, Ms. Winters was typecast for years as a gangster's moll and dance-hall dame. She led the cast in a daring escape through a washing-machine hatch.Īt first a peroxide-dyed "blond bombshell," Ms. Despite her girth, she played a former swimming champion who tries to take others to safety.Īcknowledging the film's rich potential for parody, she appeared on "The Flip Wilson Show" in a skit set in a fast-flooding laundromat. Her last Oscar nomination was for "The Poseidon Adventure" (1972), the much-lampooned all-star drama about an overturned luxury liner.
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Van Daan, and for "A Patch of Blue" (1965), in which she was one of the true screen vultures, mercilessly abusing her blind daughter (played by Elizabeth Hartman). Winters won her Oscars for "The Diary of Anne Frank" (1959), as the sloppy and nervous Mrs. She had been hospitalized in October after suffering a heart attack.
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14 at a rehabilitation center in Beverly Hills, Calif. Shelley Winters, 85, a brassy actress and raconteur who appeared in more than 120 films and twice won the Academy Award for supporting performances, died Jan.